Jonathan Brightman or the climb of an American singer? Downloading and the internet are both a blessing and a curse for musicians. What is your take on the industry as it stands today? Where do you see it heading? Jonathan Brightman: I think the musician will have to catch up with all this technology. In other words, a band may have to use more of their own words, images, actions and give more of themselves up to be noticed. These days anyone can edit a video and put up content. We’re going to have to learn how to be as creative on several formats now. Did the album take long to put together, as I know that you had been planning Black Robot for some time? Jonathan Brightman: The main body of the record was done in a few weeks. We added a few songs to the second version of the record. But overall we don’t like to put too much time into over thinking things. If it rocks, you pretty much know right away.
Jonathan Brightman and Buckcherry: Josh Todd grew up in the Anaheim Hills neighborhood of Anaheim, California and later moved to Lake Forest, California. Early on, Todd fronted the Hollywood glam rock band Slamhound. He eventually met lead guitarist Keith Nelson through their tattoo artist (Kevin Quinn). The duo made a few demos before being joined by bassist Jonathan Brightman and drummer Devon Glenn, calling themselves Sparrow. Sparrow began performing around the Hollywood club scene, receiving a strong, local following due to their old school rock and roll vibe, and were signed to DreamWorks Records shortly after. The group changed its name to Buckcherry after receiving a cease-and-desist letter from a record label called Sparrow (owned by EMI). Although the band’s name is a spoonerism of the late Chuck Berry, the group said it was inspired by a drag queen acquaintance of theirs named Buck Cherry.
Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). Their debut album was released June 8, 2010 on Formosa Records/Rocket Science Ventures Brightman is a founding member of the Grammy nominated band Buckcherry, co-writing and performing on their self-titled debut album, as well as their follow up Time Bomb. After parting ways with Johns, it was announced in December 2011 that Los Angeles singer Jeremy Aric had joined the band. Soon after, they re-entered a Nashville, TN studio with producer Dave Cobb to record their second album titled Woman.
Black Robot started with former Buckcherry band mates, Yogi and Devon, but they are not on the album. Are you still on good terms? Jonathan Brightman: Actually they are on the record. Yogi does some great solo work on four songs and Devon plays drums on a few songs. They are great friends and we are always happy to lend a musical hand to each other.
Over the past decade Brightman Music has been a leading Producer Management firm located in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Discover extra information at Jonathan Brightman.
How long after the demise of Buckcherry did you begin working on new music? Jonathan “JB” Brightman: The way this happened…right after I left Buckcherry Huck (Johns, singer) was moving to Los Angeles. I had made friends with him and we just started writing. So we had written some songs, but there was no agenda to create a band. What Huck and I really intended to do was to have Yogi (former Buckcherry guitarist) and Devon (former Buckcherry drummer) in the band, but that didn’t really work out. I needed some time away from what would become Black Robot. When it came time, I called Yogi and Devon and said to them, “Let’s just go in the studio for two weeks and let’s make a record.” I didn’t have any expectations. I wanted to get in the studio, record, have a good time and if a great record came out of it then we’d release it. It was no pressure.