The ascent of a creative writer leader : Sabra Pegler

Sabra Pegler or the upsurge of a creative writer leader: Write sooner. The novel writing process can quickly become paralyzing because of its size and importance. It is a project that will be reviewed rigorously by your advisor and your committee, and your graduation depends on your successful completion and defense. Facing these realities can be daunting and tempt you to wait until you can determine that you’ve researched or thought enough about the topic. Yet, the longer you delay writing, the more difficult it will be to actually start the process. The answer to your paralysis is to start writing. Are you unsure of your argument or not fully convinced you have done the requisite research? You may be right: your argument may not be airtight, and you may need to do more reading; but you will be able to determine to what degree these problems need attention when you start writing. Productivity begets productivity, and you will be amazed at how arguments take shape and the direction of your research is forged as you write.

Strive for excellence but remember that this is not your magnum opus. A dissertation needs to be of publishable quality and it will need to past the muster of your supervisor and committee. But it is also a graduation requirement. Do the research. Make a contribution. Finish the project. And plan to write your five-volume theology when you have 30-40 more years of study, reflection, and teaching under your belt. Take careful notes. Taking careful notes is essential for two reasons. First, keeping a meticulous record of the knowledge you glean from your research will save you time: there will be no need to later revisit your resources and chase bibliographic information, and you will find yourself less prone to the dreaded, “Where did I read that?” Second, and most importantly, you will avoid plagiarism. If you fail to take good notes and are not careful to accurately copy direct quotes and make proper citations, you will be liable to reproducing material in your dissertation that is not original with you. Pleading that your plagiarism was inadvertent will not help your cause. It is your responsibility to take careful notes and attribute all credit to whom it is due through proper citation.

Everything in the introduction should be clear, engaging, and relevant to your research. By the end, the reader should understand the what, why and how of your research. Not sure how? Read our guide on how to write a dissertation introduction. Before you start on your research, you should have conducted a literature review to gain a thorough understanding of the academic work that already exists on your topic. This means: Collecting sources (e.g. books and journal articles) and selecting the most relevant ones; Critically evaluating and analysing each source; Drawing connections between them (e.g. themes, patterns, conflicts, gaps) to make an overall point. Find additional info at https://www.instagram.com/sabrapegler.author/.

Use Descriptive Language: Using descriptive language can help bring your writing to life. Use vivid adjectives and adverbs to paint a picture in your readers’ minds. Avoid cliches and be specific in your descriptions. For example, instead of writing “the sun was setting,” you could write, “the sun cast a warm, orange glow over the horizon.” Edit and Revise: Once you’ve completed your first draft, it’s essential to edit and revise your work. Take a break from your writing, then come back to it with fresh eyes. Look for ways to improve your sentence structure, grammar, and punctuation. Make sure your writing flows smoothly and is easy to read.

Sabra Pegler Minnesota or the growth of a creative writer professional: Make it specific. Instead of Love, for example, write about “the love between my parents.” Then try making it even more specific: “the love between my parents and the silent ways it shows itself when they are eating dinner together.” Try relating it to a certain person, place, event. Love, Death, Anger, Beauty — these concepts do not occur in a vacuum. They are not grown in test tubes. They are experienced by individual people, in particular situations. And our deepest understanding of these concepts is at the human level, through the ways they touch us personally and the people around us. Creating this human connection will give your poem a stronger emotional power for your reader. And it puts your idea in a form where you can observe it carefully and discover aspects of it that have never been described before.

Claim writing time by learning to say no. One of the challenges of writing a dissertation is being surrounded by people who don’t understand; some of your colleagues, friends, and family likely have no idea what writing a long form project like a dissertation is like. It is hugely overwhelming and distracting, and you need to be able to say “Go away, I’m writing.” Sometimes this means turning down a seat on that committee, choosing not to go to that concert, or kicking your friends out of your office. My friends often struggle with the fact that I don’t have the free time to spend with them that I used to, but it is important to my sanity to say “no” every now and then, as much as I hate it.

Assonance is when vowel sounds are repeated in two or more words that are close to each other in the poem and have different consonants. An example of this would be “The octopus flopped on the cot – kerplop!” Several words in the example contain the short “o” sound, but the words contain different consonants. Read additional details at Sabra Pegler.