Top fashion trends in 2022 from Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence looked at photographs of Palestinians being arrested in his neighborhood from the organization activestills.org, to inform the collection. A women’s tank top is sewn flipped up in the back to mimic the way a man’s tank top crumples as he is being restrained and cuffed. In another instance, a pair of pink leather flared pants show the outline of the pelvic region. “You have these flared hot pants, but the crotch area is outlined to inspect this area, like, ‘Inspect my body without permission,’” Braika explains.
It was important for me to explore what it means to belong, how our roots influence our identity and how the power of community and togetherness is what truly brings meaning to the world, said Riccardo Tisci, Burberry’s chief creative officer of the AW22 collection, which was unveiled in Westminster today. Therefore, I wanted this collection to convey that intensity of feeling and to celebrate not only coming together, but the city in which we come together today; the city in which Burberry grew and established a family. To me, London is a place of dreams, a capital building on its heritage and unified by its diverse community and an attitude of moving beyond boundaries – of pursuing limitless potential. The collection was a celebration of British culture, contrasting city with country, pageantry with punk, and exploring the concept of Britishness not as a fixed idea, embracing potential.
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: Nöl Collective tells the stories of Palestine through its use of textiles, dyes, and prints. The collective engages with its homeland by centering nearly lost practices and art forms in every piece of clothing—think simple cotton fabrics printed with the fruits and plants of Palestinian land, and multihued striped pockets made with ancient embroidery techniques. “Clothing is inherently political in every way,” says Yasmeen Mjalli, the collective’s creative director and founder. “It’s political in the way that the clothing of oppressed people is used to tell stories of historical and contemporary power dynamics.”