Michael Jackson full cover : songs, career and family: During the summer of ’91, competition broke out within the two studios and three rooms dedicated to *Dangerous. At Record One, *Bill Bottrell and Bruce Swedien worked on the album’s softer more adult contemporary material (and “Black or White”). At Larrabee, Riley handled the New Jack Swing half. Even though engineers remember the sessions as “giggly, innocent, and so much fun,” Jackson did his part to foster a friendly rivalry—bouncing back and forth between studios and taunting his teams, “Oh boy, they got some smelly jelly going on in there.” As Sony’s deadlines kept getting blown, Riley’s beats began forming the spine of the record. After being initially awestruck, Riley asserted more and more control at Jackson’s behest. “It worked itself out when he shook me,” Riley told HipHopWired in 2009. “[He was like] listen, you’re going to have to really produce me like you’ve produced a new artist. I need you to talk to me, I need you to criticize me, I need you to comment, I need you to give me all of you. I want the Teddy Riley that got that record out of Guy and the records out of your previous artists.”
On the whole, Michael feels rather dull. Vocally, he’s on target the majority of the time, with the exception of the still manufactured-sounding, “Breaking News”, but musically it’s far from impressive. So many of the beats sound so derivative that it lacks any evolution, which is what Jackson was always about. Look at the transition between Off the Wall and Thriller, or better yet, Bad to Dangerous. He went from disco to ’80s synth, from hair metal aesthetics to New jack swing. What’s more, he always surrounded himself with the most top notch, key players in any industry. Do you think it was by chance that Jackson hired the likes of Macaulay Culkin or Michael Jordan for his videos? Remember, it was the early ’90s, those guys were just as much royalty as he was. The same went for Slash, or Eddie Van Halen, or Martin Scorcese, or Teddy Riley. That’s what’s missing on Michael.
Got to Be There (1972): Chances are most of y’all haven’t even HEARD this album. Correct that oversight immediately. Now, Michael’s solo debut certainly doesn’t have the glitz you’d expect from a guy known for his bedazzled socks but give him a break – his first attempt to break away from his Jackson 5 roots sees him coming into his own sound. And man, his angelic voice instantly turns heads. Michael’s reliance on covers hurts this set just a bit but he handles them all so expertly that it’s hard to consider them a detriment. Listen to this set and you’ll immediately realize why this kid was destined to be a legend. Forgotten Favorites: “Rockin’ Robin,” “Ain’t No Sunshine,” “Girl Don’t Take Your Love From Me”.
Michael Jackson family: Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in french! For our french readers: La deuxieme partie de l’autobiographie en trois parties de Mocienne Petit Jackson commence par une description detaillee de l’enlevement de Mocienne et de sa vie aux Pays-Bas (Michael Jackson Livre en francais). Par la suite, le recit nous devoile comment se deroule sa vie avec sa famille adoptive, chez qui elle reste en compagnie de la cousine Delivrance. Petit a petit, elle decouvre que son vrai pere est Michael Jackson. A l’age de 15 ans, elle quitte sa famille adoptive et vit dans un internat pendant 4 ans, avant de s’installer vivre toute seule. Nous la suivons tout au long de son adolescence et de son entree dans la maturite, ce qui n’a pas toujours ete facile. Mocienne rencontre un homme avec lequel elle a un enfant. Cependant, cet engagement ne dure pas. Nous en apprenons davantage sur les problemes qu’elle rencontre avec les Services de Protection de l’Enfance, suivis de nombreuses affaires judiciaires. Au debut, celles-ci portaient sur sa propre personne, plus tard, elles se transforment en bataille pour la garde de son fils. Une situation inacceptable prend le relais d’une autre situation inacceptable. Nous sommes egalement mis au courant de nombreux evenements traumatisants vecus par le personnage principal, de ses depressions et de ses nombreuses luttes pour faire face a la misere impregnee dans sa vie et a son combat pour s’en debarrasser. L’auteur explique clairement ces luttes a travers de vifs flashbacks.